Welcome to the world of films I’ve composed music for. I’m extremely grateful for all the opportunities that has made me the music composer I’m today.
Each film has it’s own challenges and I embraced all of it.
My attempt is to live upto the script of the cinema. And I’m fearless in expressing what the film needs.
Malayalam | Malaikottai Valiban* pre production
Malayalam | Siddharth Bharathan* soon to be released
Malayalam | Vinod A.K* upcoming
Hindi | Jasmeet K. Reen | Background Score Only
Malayalam | Babitha Rinn
Tamil | Dinesh
Malayalam | Siddharth Bharathan* upcoming
Malayalam | Arun Chandu
Hindi | Bejoy Nambiar | 1 Song
Hindi | Ranjan Chandal | Background Score Only
Hindi | Sameer Joshi
Malayalam | Jenith Kachapally | Songs Only
Malayalam | Lijo Jose Pellissery
Jallikattu directed by Lijo has got the best out of me. The score captures the essence of the raging bull and its effect on humans.
Telugu | Sudheer Varma
Ranarangam was a challenging film as it needed stacking of mass elements over my experimental score. The blend between the rural India 90’s and the present Spanish topograhy was exciting to create.
Malayalam | Khalid Rahman
Unda with it’s Bastar backdrop demanded discovering and recreating the sounds of the land. And I’m glad my team and I could knock off a rich and earthy score.
Malayalam | Lijo Jose Pellissery
The impact this film had on me is deep. I found a spiritual connect in it. This bonding helped me score the final 3 minutes of the film. This was the most heartbreaking musical piece for me to score.
Hindi | Anurag Kashyap
Anurag collaborated with me to bring in the earthiness in the score. The grit in the narrative is captured through some very rare folk instruments that my team and I recorded for the score.
Malayalam | Rafeek Ibrahim
I blended elements of Retro Funk and Blues for the film that attempted to be massy.
Malayalam | Maju
French Viplavam was a dream project. The score was a symphony of Old School Jazz, Big Band sounds and gypsy music.
Tamil | Jai
Andhra Mess marked my debut in Tamil cinema. Acoustic Guitars and percussions drive this highly mad score.
Malayalam | Lijo Jose Pellissery
Angamaly diaries soundtrack set the benchmark for being the rawest and most rooted. The score features random experiments that were then structured to form the score what you hear today.
Malayalam | Sidhartha Siva
Loved the comrade and raging red heard spirit of the film that also has some beautiful melodic tracks in its soundtrack.
Telugu | Sudheer Varma
Keshava features mostly an electronic score, blended with folk and tribal musical elements.
Malayalam | Siddharth Bharathan
The score is loaded with instruments found inside a temple. We did manage to record the ancient Mizhavu for some crucial moments in the film.
Malayalam / Tamil | Bejoy Nambiar
Always fun working on Bejoy’s films. For World’ of Sekhars score I designed a deep ambient and gloomy score.
Hindi | Bejoy Nambiar
Loved working on Lido’s wild, wild, wild modern day West set in Goa and Kerala. The maddest and craziest work of mine till date.
Malayalam | Khalid Rahman
The soundtrack featured a blend of world music fused with elements of Carnatic and Hindustani classical music. The score was topped off with a last minute saxophone laid song that still lingers in me head.
Malayalam | Lijo Jose Pellissery
Loved working on Lido’s wild, wild, wild modern day West set in Goa and Kerala. The maddest and craziest work of mine till date.
Malayalam | Siddharth Bharathan
The soundtrack featured a blend of world music fused with elements of Carnatic and Hindustani classical music. The score was topped off with a last minute saxophone laid song that still lingers in me head.
Malayalam | V.K.Prakash
A work that just flew by. It features a few artists that I loved working with.
Malayalam | Ajith Pillai
Ajith’s film inspired me to carefully produce an atmospheric score complimenting the vastness and beauty of Lakshadweep.
Malayalam | Santosh Nair
The score featured variants of Hip Hop and Retro Funk and it’s sub-genres.
Marathi | Sameer Joshi
For this relationship driven film I fused Hindustani classical and country laden elements.
Malayalam | Lijo Jose Pellissery
Got to collaborate with Kavalam Narayana Panicker who transcended the album, the film to the cult that it has achieved today.
Hindi / Tamil | Bejoy Nambiar
The 3 stories demanded extreme ends of music to define each David’s character. For the score I collaborated with a few powerful artists to cement their grit.
Hindi | Raj Purohit
A largely indie flavoured soundtrack that featured a lot of new artists.
Malayalam | Sameer Tahir
Got to blend Spanish guitars, muted trumpets into Funk to bring to life the thief’s play.
Hindi | Manish Tiwari
Folk, raw, Tchaikovsky type, dubstep – this score had it all to capture the modern day Romeo-Juliet
Malayalam | Lal Jose
A soundtrack that features over five original English songs.
Malayalam | Aneesh Anwar
Featured a few folk music traditions to design this mellow score.
Feedback and criticism comes from people who are shaped in a different world than yours. Understanding the context of their criticism is more important than the criticism itself.
Malayalam | Siddharth Bharathan
A score filled with noisy and dirty soundscape that became the backbone of this highly disturbing film.
Malayalam | Gireesh
The only good thing to come from this film was a sulky-happy song.
Malayalam | Lijo Jose Pellissery
Exactly my kind of film to score – dark, deep and cold. Most of this ambient score featured woodwinds and traditional world folk instruments.
Hindi | Bejoy Nambiar
Shaitan came and conquered. And happy to have the music as a catalyst. Shaitan kept me in most trippiest zone that I’ve ever been.
Malayalam | Babu Janardhanan
Minimal blend of Islamic and Hindu musical elements made this score. It features a lot of woodwinds that I sampled.
Struggle creates change, change creates growth.
Malayalam | Lijo Jose Pellissery
Started on a high with Dhol, Taasha and heavy percussive score that set the tone for my future works.